My Favorite Live Tracks

As EZ is still dogging me and my mp3s around, I have decided to do a repost of my favorite live tracks posted on The Late Greats. Here are my favorite 22 converts, rips and etc... With any luck, the links won’t break after EZarchive updates this weekend. Until then, either way, enjoy these reposts. There are in beta-alpha-ical order.
Hopefully this will tide you, my wonderful readers, over until Monday.
Gillian Welch and David Rawlings ~ Revelator from this post
KT Tunstall ~ Black Horse and a Cherry Tree from this post
Sia ~ Breathe Me from this post
Josh Ritter ~ Thin Blue Flame from this post
Damien Rice ~ The Blower’s Daughter from this post
Corrine Bailey Rae ~ I’d Like To from this post
Grace Potter and the Nocturnals ~ Toothbrush from this post
Madeleine Peyroux ~ Don’t Wait Too Long from this post
Okkervil River ~ For Real from this post
Alexi Murdoch ~ Orange Sky from this post
Amos Lee ~ Keep It Loose, Keep It Tight from this post
Ray LaMontange ~ Till The Sun Turns Black from this post
Imogen Heap ~ Hide And Seek from this post
Sarah Harmer ~ Around the Corner from this post
Guillemots ~ Trains to Brazil from this post
Patty Griffin ~ Making Pies from this post
Gomez ~ How We Operate from this post
The Format ~ The Compromise from this post
Ani DiFranco ~ Subdivision from this post
Amy Correia ~ Bike from this post
The Be Good Tanyas ~ Midnight Moonlight from this post
Joseph Arthur ~ Can’t Exist from this post
What have been some of your favorites featured on The Late Greats? Leave a hullabaloo.















3 hullabaloos:
I gotta say I think the Madeleine Peyroux live cuts are more enjoyable to me than the studio versions -- I like her guitar playing, and I can hear more emotion in her voice. Those are my favorites so far on TLG.
My own favorite has long been the Patty Griffin, for much of the same reasons as tvk mentions above. Her Kite Song, from the first-and-best mix of the three you provided, is a wonderful example -- more heartfelt, a slight bit more tremolo than the album, despite almost identical instrumentation as the album.
Some folks just plumb sound better live, I guess -- and you can't beat the production quality of a radio show over a bootleg.
first off, thank you for all of the amazing music.
yr posts bring out the best of modern music that you unearth like some holy trinity, a treasure chest of gems and jewels that are pricless in sound.
i have a favor to ask--
is there anyway you could re-post the imogen heap track "hide and seek" there seems to be an error when I try to download it.
muchas gracias,
papi chulu,
2006
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